The latest iteration of the package is the KEF LS50 Wireless II (£1,999) which meets price parity with the JBL 4305P package and boasts a total of 760 watts of power amplification (2 x 100W Class A/B amps for the tweeters and 2x 280W Class D for mid/bass drivers). KEF surprised the audio community in 2016 with its launch of an active version of the Uni-Q driver-infused LS50 Wireless. The 4305Ps may not be everyone’s cup of tea but their beefy mid-range, and electric guitar and drumset friendliness, make them unmistakably American and therefore primed to reproduce the rock’n’roll to which their professional JBL ancestors have enjoyed so much exposure. The speakers’ tendency to veer towards a brighter timbre should be taken into consideration. Lengthy listening sessions never tire and the wide open soundfield and detailed imaging are a pleasure to behold. Ignoring the semi-professional but ultimately pedestrian looks, here is a pair of punchy loudspeakers which actually seem to enjoy the act of playing music. here is a pair of punchy loudspeakers which actually seem to enjoy the act of playing music The entire album of Jethro Tull’s 'Aqualung' takes on a new life with majestic dynamics. John Bonham’s kick drum on Whole Lotta Love from 'Led Zeppelin II' is deep, resonant and refined and freed from the confines to which lesser speakers might have it condemned. Even remasters of compressy recordings from the 1970s that can still sound like they were miked in a cardboard box now have air and expanse. I now find I am spending hour-upon-hour cycling through favourites from endless playlists. This is exactly what is needed in such a densely arranged recording. The Solid Time of Change, in its manic and seemingly shapeless prog mayhem, isolated each instrument with astonishing lucidity. The opening section of this sprawling epic, i. This spurred me on to listen to the entire Close to the Edge track from the album of the same title. The harmonics from his ‘lead’ bass sound can be dissected and discerned with refreshing clarity. The speakers’ tendency to veer towards a brighter timbre should be taken into considerationĮqually, the late Chris Squire’s signature bass guitar on Long Distance Runaround from the 2015 remaster of 'Fragile' by Yes is as vivid as one could wish for.
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